Making a Celtic Quilt – Cutting the Bias Strips

True Lovers' Knot from Celtic Quilts: A New Look for Ancient Designs by Beth Ann Williams

True Lovers’ Knot from Celtic Quilts: A New Look for Ancient Designs by Beth Ann Williams

This is the third of a series of posts that will take you step-by-step through the process of creating a Celtic Quilt.

The lines that form my Celtic and Celtic-style knotwork designs are formed by cutting strips of fabric and sewing them into tubes.

The first thing to decide is how wide you want your finished tubes of fabric to be.  I’ve seen many beautiful Celtic-style designs created with 1/4″ wide (finished) tubes, but I prefer to use 3/8″ wide (finished) tubes for a couple of reasons: (1) they are easier to handle, and (2) that little bit of extra width makes it easier to see the color and print of the fabric when you stand away from the design.

The next thing is to decide how wide you want to cut your fabric strips. Continue Reading…

Making a Celtic Quilt – Fine-Tuning the Design & Preparing the Background

This is the second of a series of posts that will take you step-by-step through the process of creating a Celtic Quilt.

One of the first things you need to do is finalize your design choice and fine-tune it, if necessary. If you are using an original design or using a design from a source other than my book, you need to be sure it will be easily adaptable for sewing.

Here are the elements common to historic Celtic knotwork and interlace – rules that I follow when developing my own original Celtic-style patterns as well as when adapting ancient designs.

  • All lines are continuous, having neither beginning nor end.
  • All lines cross each other in an alternating under-over-under pattern.
  • No more than two lines cross at any given point.

When it comes to creating or adapting Celtic-style design for appliqué, I add a few more considerations:

  • The lines creating the designs measure no more than 1/4″ wide.
  • The lines are spaced sufficiently far apart that when covered with 3/8″ wide bias-cut tubes, the design still looks clean.
  • Curves are gentle enough that they can be sewn without having the fabric bunch or buckle.
  • Points are not so sharp or skinny that the fabric becomes too bulky.

If you are using a design such as the True Lover’s Knot from my book Celtic Quilts: A New Look for Ancient Designs, all these considerations have already been met.

How do you get the pattern from the book or sketchbook to the background fabric? Continue Reading…

Making a Celtic Quilt – Selecting Fabrics

True Lovers' Knot from Celtic Quilts: A New Look for Ancient Designs by Beth Ann Williams

True Lovers’ Knot from Celtic Quilts: A New Look for Ancient Designs by Beth Ann Williams

This is the first of a series of posts that will take you step-by-step through the process of creating a Celtic Quilt.

We’ll be creating the True Lover’s Knot, one of the beginner-friendly patterns from my book, Celtic Quilts: A New Look for Ancient Designs (pp. 36-29).

Along the way, we’ll explore how to make a 16″  x 16″ machine appliquéd and quilted wall-hanging (start to finish), a quilted pillow, or a quilt block that can be incorporated into a larger quilt.

What will you need?

Understandably, I highly recommend my own book, since it contains complete instructions as well as patterns; but if you have a Celtic design from another source, you may still find my methods helpful.

Fabric

  • Good quality, colorfast, 100% cotton fabric will be the easiest to work with, particularly since adheres well with various fusibles and adhesives, and holds its shape when pressed.
  • For the knotwork design, I recommend choosing fabrics that have a some visual texture, rather than choosing solid color fabrics. Not only is a subtle print more interesting than a solid fabric, the print will tend to help hide any machine stitching that is supposed to be “invisible”.
  • Quilting-weight cottons are more forgiving when it comes to camouflaging your stitches. Batik cottons are less forgiving, since they are more tightly woven and the stitches don’t sink down into the fabric as easily. The tighter weave also makes it a little more challenging to go around tight curves without creating tiny pleats in the fabric, but I still use batiks if the colors are right.
  • For the background, I recommend something that contrasts significantly with the knotwork fabric. I usually select a either very light fabric or a very dark fabric for this.

Below are some close-ups of a some of the projects from my book. You can see that I don’t shy away from prints – although I do generally look for prints with low internal contrast. Continue Reading…

Celtic Quilts – True Lover’s Knot

True Lovers' Knot by Beth Ann Williams, (C) 2000

True Lovers’ Knot by Beth Ann Williams, (C) 2000

Starting in May, I’m planning a series of “Sew-Along” and “Quilt-Along” posts for creating the Celtic True Lover’s Knot design from my book, Celtic Quilts: A New Look for Ancient Designs.

This block can be finished as a 16″ x 16″ wall-hanging, made into a decorator pillow, or joined with additional blocks to make a larger quilt.

Continue Reading…

Book Review

Quilt As-You-Go Made Modern: Fresh Techniques for Busy Quilters by Jera Brandvig

From C&T Publishing:

Fun and done! Quilting is easier than ever with this popular method

• A modern approach to quilting that’s fresh, fun, and simpler than it sounds; it will change the way you quilt (for the better)
• Great for moms or anyone with a busy schedule – these 13 projects are easy to transport because they make it simple to pick up where you left off
• Go your own way: This method allows you to use a pattern or improvise, creating a wide variety of design options
• Save money! Learn how to finish your own quilts without the use of a longarm professional

Do you believe rules were meant to be broken? If so, this improvisational quilt-as-you-go technique is for you. Instead of dealing with precise paper patterns and cutting measurements, you’ll learn how to piece fabric onto small, manageable batting blocks. Let your creative juices flow as you quilt directly on the blocks (not the whole quilt!), whether in large abstract zigzags or small structured stitches. After the blocks have been joined, all you need to do is add backing fabric and binding, and – voila – it’s finished!

 

I’ve been interested in quilting as-you-go methods since I first saw “Lap Quilting” with Georgia Bonesteel on PBS back in the 1990s. Motivated partly because the weight of a full size quilt at the sewing machine has become extremely difficult for me to deal with – even though I am VERY comfortable with the technical aspects of machine quilting – and partly because I find the sheer convenience of it appealing, I have been on alert for different methods ever since. This book was the “AHA!” I’ve been hoping to find. Continue Reading…

Quick Tips for Making Color Theory Work for You

Do you ever struggle with something you are creating, just knowing that something is off or missing, but not sure what it is? Both from personal experience and from that as a long-time instructor, I find that quite often this has to do with color and value choices.

Color theory to the rescue! But sometimes color theory on its own isn’t enough help…

Color Theory Infographic from paper-leaf.com - a great overview!

Color Theory Infographic from paper-leaf.com – a great overview!

Continue Reading…

My Quilting Story

Legacy Journal Quilt

Back in March of this year, the Missouri Quilt Co. ran a contest: ”Quilting touches so many of our hearts on a much deeper level than just pretty fabrics pieced together. For some, quilting is an artistic outlet. It is a medium to allow your creative talents to really shine. For others, quilting can be a sort of therapy. I know that as I measure, cut, and stitch, I feel a great sense of release and relaxation. It is very satisfying to create my own little piece of order and beauty even though the rest of the world may be spinning out of control!
We want to hear your story. Why do you quilt? How has quilting made your life better? How has quilting changed you?”

This got me thinking… How could I sum up what quilting means to me in 500 words or less? Continue Reading…