Tag Archives: My Fabric

Cork and the Clydebank Tote

Have you ever heard of cork fabric? I was dimly aware of it, but it hadn’t really registered for me as something I’d like to try until I came across this post on the Sew Sweetness blog by Sara Lawson. In conjunction with an online book club she is hosting, Sara is posting a free project pattern and video tutorial every month. The first project was the Clydebank Tote, and several of the sample projects featured cork fabric on the side panels. I was intrigued!

I first purchased some cork fabric from Fabric.com, but wasn’t quite happy with the color match when it arrived. So I went back to Sara’s site, which has a great selection in a wide variety of colors.

Note: watch out when you are searching for cork fabric – the fabric I’m referring to in this post is high quality cork with a polyurethane backing and a smooth, leather-like hand. It is NOT regular quilting-weight cotton that has been printed to look like “cork”. Cork fabric is also sometimes referred to as “vegan leather”.

Selection of cork fabric and the Clydebank Tote pattern. (I have plans for the Clammy template and Glam Clam pattern later!) Note: the black cork I eventually used in my tote isn’t shown in this photo.

I opted to use fabrics from my Winter Romance collection in my Spoonflower shop for my tote. Continue Reading…

Checking Out Lightweight Cotton Twill

So I’m in love with the Kona Cotton Ultra from Spoonflower.com – it’s my go-to fabric choice when ordering, but when the site ran a promotion on Lightweight Cotton Twill, I took a chance and ordered some.

I’m so glad I did!

Lightweight cotton twill fabrics from my Winter Romance collection in my Spoonflower shop. These are all my own designs; but as far as I can tell, you can buy any of the 750,000+ designs at Spoonflower.com in this fabric.

I find the lightweight cotton twill launders well, is super easy to work with (easy to pin and presses well), has a subtle sheen I really like, and is sturdy enough that I don’t need to add lightweight fusible interfacing such as Shape-Flex as I usually do when using quilting-weight cotton to make bags, purses, or home dec items. (I still use foam interfacing when I want a structured bag – even with the twill.)

Here’s a comparison of the two fabrics (info from Spoonflower.com): Continue Reading…

Fun with Cathedral Windows

Cathedral windows has been a favorite pattern of mine since I first saw this traditional quilt style many years ago, but I’ve never made more than a few blocks at a time because the handwork proved too frustrating for me to manage wth my peripheral neuropathy. So I was immediately intrigued when I heard about the Cathedral Window Pillow episode from Angela Walters on her Midnight Quilt Show. I checked out Angela’s demonstration on YouTube and was excited to see how the process had been reimagined and reengineered to make it relatively quick and easy to create by machine.

You can also download the (currently) free pattern from Bluprint 🙂

The cutting instructions are for two 20″ pillows, but I opted to make just one this time. Angela was using a charm pack (precut 5″ squares), but I raided my scrap bin and leftover bits and pieces from other projects and cut my own squares and triangles.

I decided to make my pillow with a mix of scraps of my custom fabrics from Spoonflower and of my carefully hoarded Kaffe Fassett fabric. The white fabric I’m using is Lily & Loom Brilliant White from Bluprint (formerly Craftsy).

Continue Reading…

Out of My Comfort Zone – Desert Modernism Challenge

Why do I love Spoonflower so much?

As an independent designer (as well as consumer), I get a terrific way to create custom textiles for my own use, as well as to sell 20+ different types of fabrics (plus wallpaper, gift wrap and ready-made home decor items) printed with my original artwork to designers and sewists all over the world – without having to deal personally with payments and shipping!

But while the strength of working with Spoonflower is the huge marketplace it offers, it also means it can be easy to get lost in the crowd. NOTE: if you enter the Spoonflower site without going through my shop, the easiest way to find my work is to enter “bethannwilliams” (without the quotation marks 😉 ) in the search box.

To help with this, Spoonflower urges designers to enter design challenges and “Join the community of over 16,000 designers, gain visibility and share your work with over 600,000 shoppers per month.”

Spoonflower sets the challenge, and the designers have to come up with NEW work specifically for that challenge – they can’t use anything they’ve already listed in their shops.

I confess that I haven’t been paying the attention I should to the challenges…  So I almost missed this one! But I ventured out of my comfort zone and entered at the last minute.

Voting in the Desert Modernism Challenge ends on Tuesday, Feb. 12 at 3 pm EDT. Anyone can vote – for my work or for any other designs you like!

Here’s is a peek at my entry:

Close-up view of my new design, Desert Dreams – 8″ swatch

Continue Reading…

Adding Structure with Soft and Stable – Review & Tips

One of the really great things about sewing is that you aren’t dependent on what you can find (or afford) in the store – you can create or customize all kinds of things to your specific tastes and needs.

Lately, I’ve been on a streak of making totes, bags and purses.

Since my work (both as Creative Director for Lakeshore Sewing and as a quilt/textile artist and designer for my own business) requires a lot of intense focus and creativity, I find it relaxing to take a bit of a break and let someone else do the basic designing and let me have the fun of customizing to my heart’s content.

I really enjoy it when I get a chance to make something quick and (relatively) easy. And bonus points if it is functional, too!

One of the products I’ve been playing with lately is Soft and Stable from ByAnnie.

Product info from the ByAnnie.com website:

BYANNIE’S SOFT AND STABLE® OVERVIEW

ByAnnie’s Soft and Stable® is a new product which I developed to use in place of batting or other stabilizers in purses, bags, totes, home dec items, and more.

Why use ByAnnie’s Soft and Stable®?

  • Great lasting body and stability
  • Lightweight
  • Maintains shape
  • Gives a professional finish to your project
  • Easy to sew
  • Fabric can be quilted to ByAnnie’s Soft and Stable® or just sewn around the edges of the pieces — no need to quilt every 2 to 4″ as with batting
  • Soft and comfortable
  • Washer and dryer safe

My summary – I love it! But…

I am very happy with the shape, structure, and finish of bags I’ve made with Soft and Stable. They look great, hold their shape, and don’t collapse under the weight of the straps or handles – all while remaining lightweight and easy to carry.  The extra protection for the contents is pretty great, too – especially for things like a phone, tablet, laptop, sewing machine, etc. I’ve given the sewing machine travel bag I made with Soft and Stable away as a gift, but here is another great example of a well-used bag still holding its shape after a couple of years and a lot of use:

One of my favorite travel bags is this duffle, designed and made by my friend and colleague, Laura Witt. Not only did Laura use Soft and Stable to support the bag, she also inserted a strip into the shoulder strap to make the bag more comfortable to carry.

But I don’t always find it as straightforward to use as is sometimes implied…    Continue Reading…

The 241 Tote from Noodlehead – Review, Part 2

As anyone who sews or quilts can tell you, individual patterns have gotten more and more expensive over the years, especially if you like to seek out and support independent designers. Being able to download patterns and save them as pdfs can help (as opposed to buying printed patterns, with or without paying additional for shipping), but it’s still enough to make you think twice – especially when there is actually a lot of free content (albeit of varying quality) out there.

Here are the factors I consider when thinking about buying a commercial pattern:

  • Clarity – Are the instructions well-written and all measurements accurate? Are the photos and/or illustrations clear and to the point?
  • Value – Am I likely to use this pattern more than once? Can I envision it made up in different colorways or fabric styles?
  • Versatility – Does the pattern offer more than one option? (e.g. different sizes, embellishment possibilities, or optional design elements that can be mixed or matched)
  • Giftability – Is it a design that is likely to appeal to multiple generations (e.g. Would my mom like it? My kids?)

I mentally award bonus points if the pattern gets my own creative juices flowing with lots of possibilities for additional customizations of my own.  🙂

The 241 Tote from Noodlehead (see my previous post for more details) ticks all of these boxes.

In fact, I think it’s one of my favorite commercial tote patterns!

Here is my latest version of the 241 Tote:

The 241 tote – pattern by Noodlehead, adapted by Beth Ann Williams; fabrics from Changing Seasons Collection by Beth Ann Williams at Spoonflower.com

As you can see, I’ve made some changes in the original pattern!

Continue Reading…

The 241 Tote from Noodlehead – Review, Part I

Did you ever experience a breathless moment in time when you looked up and knew in that brief instant that THIS was THE ONE? 

Ok, let’s get our minds back on track here… I don’t know what you are thinking about, but I’m talking about tote bags. 😉

I love totebags. Cute little purses just don’t have enough room for me to haul all of my necessities around – especially since those necessities usually include a least a few file folders and maybe even a yellow pad. I’m always on the lookout for ideas for new totes – be it different fabric combinations, different bells & whistles (zippers, hardware, pockets, etc.), or different shapes.

What captured my attention about the 241 Tote (2-for-1, get it?) pattern from Noodlehead was the unusual shape and fun side pockets.

The 241 Tote from Noodlehead (photo from pattern page)

Continue Reading…

December Wrap-Up & Link Love

What a month! Not only is late November through December extra-busy with the holidays AND one of the most demanding times of the year for my day job as Creative Director for Lakeshore Sewing, but our plumbing saga continued with more water in the basement, where my studio is located. Needless to say, my creative plans for the month had to be adjusted.

But I’m happy to say that I did manage to squeeze in at least a little sewing fun.

Below are 3 of my December projects, plus links to the free patterns I used. All 3 patterns are keepers for me – ones I’m sure I’ll use again. 

Scandiavian Star Ornaments

I was first introduced to these folded & woven fabric ornaments through a delightful instragram post by misterdomestic linking to this tutorial on his YouTube channel.

I also found a handy photo tutorial by Anna Curtiss.

Stow-Away Shopping Bag

I resized the free pattern from Moments Designs (pattern download offered through Craftsy) to make giftable shopping totes that fold into their own snap pouches for storage. I enlarged the pouch slightly because I used heavier fabric than was used in the original pattern. The instructions are terrific, with step-by-step photos for every step. 

Bohemian Bag

Continue Reading…

Adventures with Spoonflower – Changing Seasons

Note: if My Spoonflower Shop links aren’t working (the system has seemed overloaded at times recently) you can also find me at Spoonflower.com and Roostery.com by searching on “bethannwilliams”)

In my last post, I shared the origins of my Around the World and Back Again collection.

This time, I’d like to share a bit of the inspiration behind the designs in my collection Changing Seasons.

For several years, my dear friend June Mears Driedger and I co-hosted Storytelling in Fiber retreats at the Hermitage in Three Rivers, Michigan. Beyond the joys, inspiration and precious companionship of being around other creative women, one of the many things I enjoyed about our time there was private contemplative time in the woods. Sometimes I would walk the little labyrinth path, sometimes I would just walk slowly and commune with nature, and sometimes I would snap photos with my phone of anything that caught my eye.

These photos became the foundational inspiration behind Changing Seasons, particularly this shot:

Photo taken by Beth Ann Williams at the Hermitage in Three Rivers, MI.

You can see the influence of sunlight filtering through the outstretched branches, and of the colors and textures of tree trunks, branches, twigs, leaves, moss and sky in the 8″ swatches below.

To me, there is also a sacred quality to many of these designs, although that was not my conscious intent. Continue Reading…

Adventures with Spoonflower – Around the World and Back Again

Note: if My Spoonflower Shop links aren’t working (the system has seemed overloaded at times recently) you can also find me at Spoonflower.com and Roostery.com by searching on “bethannwilliams”)

I haven’t been posting lately, but I HAVE been creating. 🙂

Working on designs for a couple of new fabric collections has made me reflect a bit on previous work. Today I thought it would be fun to revisit the first fabric designs I ever uploaded to my shop on Spoonflower.com.

Around the World and Back Again

This is what I titled my first fabric collection. The original inspiration behind this entire collection is one of my journal quilts, At the Gates of Midnight. The title of the quilt comes from a phrase I once read that stuck with me – “Even at the gates of midnight, still dreaming of the dawn…”

At the Gates of Midnight, journal quilt/art quilt, (C) Beth Ann Williams

Around the World and Back Again is a reference to my personal life, visiting and/or living in 17 countries by the time I graduated college. Most of the fabrics in the center of this quilt are from Africa. In addition to the personal associations, I  love the strong graphic quality, vivid colors, and high internal contrast common to many of these fabrics.

I used bits and pieces of the quilt as starting points to create new designs. As I was developing the collection, I also tried to keep in mind practical considerations such as having a variety of colors, values, and scales. And though I have a definite fondness for working with radial symmetry, I also included a few stripes and simpler all-over patterns as well. Continue Reading…