Colorwash Bargello – Measuring & Sewing the Borders

This is the eighth in a series of sew/quilt-along posts about making a bargello quilt.

I am following the pattern for Cascade, the most beginner-friendly pattern from Colorwash Bargello Quilts.

I’ve picked out my border and am ready to sew it on.

When I first started quilting many, many years ago, I would just lay my border strip across the end of the quilt, sew it on, and then cut off any extra border fabric that extended past the edge of the quilt.

Sometimes this method seemed to work just fine; but other times, I would find myself grappling with quilt edges that were bowed instead of straight, wavy edges, or even little “volcanoes” or bulging areas within the quilt.

The problem was that the outer edges of a pieced quilt sometimes seem to “grow” or stretch a little more (from handling?) than the interior of the quilt. This tendency could be exacerbated if the pieced quilt had a lot of small pieces, strip-piecing, bias edges, or even just a lot of cross-grain pieces – especially if the fabrics in the quilts varied even a little in weave. (High-quality batik fabrics usually stretch a little less than high-quality quilting-weight cottons, which usually stretch a little less than chain-store quilting cottons, etc.)

What I eventually learned is that perfectly flat quilts with perfectly square corners are much easier to achieve if you follow these tips:

  • Always measure through the center of the quilt to determine border lengths
  • Always cut parallel borders together, so that they are exactly the same in length
  • Pin, pin, pin! 

BUT if the discrepancy between the center of the quilt and the outer edge of the quilt is more than 1/4″, I recommend strategically trimming the quilt top or “squaring it up” before proceeding with the borders!  

Here is how this method looks in practice:

I like to add the side borders first, so I begin my measuring through the center of the quilt vertically

Side borders cut to the same exact length and pinned (the lower edges of the border fabrics are fluttering in the breeze in my workspace today, so they don’t look exactly even and flat, but they have been properly pinned!)

When pinning borders, I always follow this procedure:

  • Cut parallel borders exactly the same length.
  • Pin the beginning and end of the first border
  • Pin the middle of the border
  • Pin between the middle and each end of the border
  • Pin between those pins… etc., etc.

That way, if the border is slightly longer than the outer edge of the quilt (the border being cut to match the center of the quilt), any excess border can be gradually eased to fit.

If the edge of the quilt has stretched a bit (which is more common), the extra fullness can likewise be evenly distributed and eased to fit.

Tip: If you can, sew with whichever is slightly longer (quilt or border) against the feed dogs so that the feed dogs can assist you.

Measuring through the center of the quilt horizontally to determine the length of the top and bottom borders (I promise the border seams are straight, even though it doesn’t look like it in this photo)
All four borders have been sewn (the fabric is drooping a bit in the photo, but the borders are actually straight)

And there you have it!

The next step will be to layer the quilt top with batting and backing, and then quilt it.

I’m counting on the free-motion quilting to soften the contrast between the border and the interior of the quilt, and to build cohesion through similarity in color and visual texture, as well as physical texture.

Here are two of the thread combinations I am considering:

Two thread combinations I am considering for the free-motion quilting. In each case, the variegated Rainbows thread would be the top thread and the coordinating solid color would be in the bobbin.
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Beth Ann

When health challenges made hand-sewing (and hand appliqué and hand-quilting) no longer physically viable for her, Beth Ann’s first instinct was dismay and discouragement. But Grandma Baldwin gave her a loving (but stern!) “No pity parties – just figure out a different way.” So Beth Ann turned to her trusty sewing machine and began devising ways to achieve the fine quality appliqué look she craved faster and easier than she ever thought possible. And a career was born! Now Beth Ann enjoys sharing her accessible “invisible” machine appliqué and creative machine quilting techniques with other quilters and fiber artists around the world.

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