Making a Celtic Quilt – Adding Additional Texture with Machine Quilting

The True Lovers’ Knot from Celtic Quilts: A New Look for Ancient Designs – appliquéd and ready for more quilting!

This is the tenth in a series of posts that will take you step-by-step through the process of creating a Celtic Quilt.

The lines that form my Celtic and Celtic-style knotwork designs are formed by cutting bias strips of fabric and sewing them into tubes, which are then fused onto background fabric. For this project, I added the borders, layered the quilt top with batting and backing, and machine appliquéd and quilted the design in one step.

Now I’m ready to add a little more texture!

Since the design itself has already been appliquéd and quilted in one step, I’m going to start this stage by stitching in the ditch between my borders. This will  further stabilize the quilt and help keep my borders straight. I usually recommend a walking foot for this step, but my layers are flat and stable enough that I am going to continue on with my standard presser foot.

Stitching in the ditch in the seam between the borders.

I could stop here, but I’m having too much fun. 🙂

Now I’m going to start marking. I’m using one of my all-time favorite marking tools today, the refillable WHITE Clover Chaco Liner (which also comes in a pen style).

I like that it makes a nice thin, but easily visible, line on medium to dark fabrics, and brushes away pretty easily. It also washes off completely.

Marked for quilting with my white Clover Chaco Liner
Stitching on the marked lines. If you find that your fabric isn’t feeding smoothly, you may wish to switch to a walking foot.

Now the border is done. Again, I could stop here, cut off the excess batting and backing, and bind the finished quilt.

But I think I’d like even more texture…

I’ve dropped the feed dogs on my sewing machine and am using my free-motion foot to stipple in the negative space around the design.

Adding some free-motion quilting in the negative space around the design

Note: Check out these previous posts for more information about machine quilting in general and free-motion quilting in particular: Machine Quilting FAQ & Top Tips and Free-Motion Quilting – the fun stuff!

After stippling the inside, I decided that I don’t need the textural interest of the flap border, so went back and appliquéd down the free edge with the same stitch I used to appliqué the central design.

I decided to sew down the free edge of the flap border and turn it into a narrow accent border instead.

Here is the True Lovers’ Knot with the quilting complete:

Since I’m finished quilting, I’ve also cut off the excess batting and backing. You may not be able to tell in the photo, but it is also perfectly square.
Please follow and like us:

Beth Ann

When health challenges made hand-sewing (and hand appliqué and hand-quilting) no longer physically viable for her, Beth Ann’s first instinct was dismay and discouragement. But Grandma Baldwin gave her a loving (but stern!) “No pity parties – just figure out a different way.” So Beth Ann turned to her trusty sewing machine and began devising ways to achieve the fine quality appliqué look she craved faster and easier than she ever thought possible. And a career was born! Now Beth Ann enjoys sharing her accessible “invisible” machine appliqué and creative machine quilting techniques with other quilters and fiber artists around the world.

Leave a Reply

Your email address will not be published.


Enjoy this blog? Please spread the word :)

Follow by Email