I like to have lots of different projects going at different stages at the same time, so I always have something interesting to work on. But sometimes there’s a bottleneck, and I have a bunch of projects that are all at the same step. That’s what has been happening to me lately – a pile-up of quilts just waiting to be bound.
For years and years, I bound all of my quilts with a double-fold binding machine-sewn first to the front of the quilt, and then wrapped around and hand-sewn to the back of the quilt. I love the beautiful, clean finish this method provides, but it does take time! Over the past couple of years, I’ve been experimenting with alternatives. (I know I could always just straight-stitch the binding; but I find it can be tricky to keep absolutely perfectly lined up with the edge of the binding, and I’m not especially crazy about how it looks.)
But not every quilt needs a piped binding (faux or otherwise), and my collection of quilts waiting for bindings was piling up. So I returned to another technique I’ve experimented with before – sewing the double-fold binding first to the BACK of the quilt, and then wrapping the binding around the the front, and stitching it down with my favorite “invisible” machine applique technique.
Here’s what it looks like:
And that’s how I’m catching up with my pile of quilts waiting for bindings. 🙂
Registration is through the Wyoming, Michigan Lakeshore Sewing store – 616-531-5561.
And now back to Facings. 🙂
My sewing machine has been getting a workout! I’ve been in full-on production mode with even more projects than usual in-progress at the same time. As I’ve been working, one of the techniques I’ve been exploring is different ways to finish the outer edges of my quilts.
I always finish my utility quilts (bed quilts, cuddle quilts, throws, etc.) with a sturdy French Fold Binding, as the binding is often the first area to start to show wear on a quilt that is getting lots of use.
But when it comes to art quilts, wall hangings, table runners, or other smaller items, there are other options. One of these is a facing. Facings are a great alternative when you don’t want to cut off or confine the design with a binding. There are lots of different ways to approach facings for a quilt; but after quite a bit of experimentation, I have found what works best for me. And even better – there’s a link to free printable instructions near the end of this post!
All of the methods I tried were similar in that they involved sewing strips to the front of the quilt and then pulling the fabric around to the back of the quilt to create a finished edge. All of the methods also called for hand-sewing the fabric strips to the back of the quilt. The main differences were in how the fabric strips were prepared and how the corners of the quilt were handled.
The first method I tried involved sewing folded triangles to the corners, which, when you flip them to the back of the quilt, create “pockets” in which you can insert a hanging rod. You can read more about this method in this tutorial by Robbie Joy Eklow on the We All Sew site.
I ran into a problem, though. I think this method would have worked really well for a much smaller art quilt, but my quilted wall hangings were too large to be well supported by just the two pockets at the corners. I needed to add an additional hanging sleeve. I also wasn’t crazy about how much extra bulk the folded triangles added at the corners of the quilt, or about how they tended to stretch out and slightly distort the upper corners of my Snowflake quilt so that the edges aren’t hanging perfectly straight in the photo below.
So I don’t know that I’ll do the folded triangle corners again. I also prefer to further eliminate some of the bulk of the strips used at the top, bottom, and sides by using this method (free printable instructions) from Susan Brubaker Knapp. Please note that Susan gives express permission for this free handout to be distributed.Check out her site for more great eye candy, info, & free tutorials – including one for Mitered Facings.
Whichever method you choose, I strongly recommend Wonder Clips instead of pins to hold everything in place – you’ll be working through a lot of layers!
This is the exact link I’ve used to purchase 4 sets of these AWESOME clips.
I’m working on a bunch of new non-class-related info for the blog; but meanwhile, I do want to let those of you who may be interested that I’ve added another brand-new Zoom class. 🙂
Free-Motion Quilting Quick-Start – NEW
Are you interested in free-motion quilting, but need a boost to get going? Join Beth Ann for a brand-new hands-on introductory class designed to do just that. We’ll start with a few basic patterning styles that you can use right away, and then explore how you can build on them as your confidence grows. This Zoom class will feature video clips and up-close photography, along with live instruction and Q&A. Sat., March 13, 2021; 10 AM – 2 PM Confident Beginner $30 Download the supply list here. Please call the Wyoming, MI Lakeshore Sewing store at 616-531-5561 to register for this online Zoom class.
More classes are in the works – you can see the current list here. 🙂
The new January and February Zoom class schedule has finally been published! I’m excited about the mix of classes I have coming up – some brand-new offerings you’ve asked for, plus a few repeats of popular classes.
All my classes are being offered through Lakeshore Sewing in Wyoming, Michigan, so you’ll need to call the store at 616-531-5561 to register.
Please note that the usual store hours are Monday-Friday, 9 AM – 5:30 PM and Saturday, 9 AM – 4 pm; but with the holidays, there are some changes. The store will be closed from Dec. 31, 2020 – Jan. 3, 2021; normal hours will resume on Monday, Jan. 4, 2020.
The October Java Batiks box from Cotton Cuts and the Midnight Bite Sew Along (#MidnightBiteSAL) from Lillyella Stitchery offered me a fun opportunity to go outside my comfort zone this month.
The Midnight Bite pattern bundle has 3 sizes of each of two different patterns – a bat and a spider. I opted to make the Wicked Weaver, which is also available as an individual pattern. Admittedly, spiders aren’t usually my thing, but I thought it would be a interesting challenge.
When I made my fantasy butterfly this summer (from the Take Wing pattern also by Lillyella Stitchery), the only part of the process that I definitely did not enjoy was removing the paper foundations after the stitching was complete. What a pain! Trying to get all the little bits of paper out from underneath the small stitches – without putting too much strain on the stitches – is not my cup of tea. Which was frustrating, because after years of avoiding foundation piecing, I felt like I’d finally hit my groove and figured out a method for foundation piecing that I find straightforward and satisfying.
Just like other foundation papers I have used in the past, these sheets ran though my printer with no problems. But that’s where the similarities ended.
First of all these sheets are translucent, which makes it so much easier to line up the seam allowances perfectly on the underside of the paper while sewing on top of the paper.
(Side note – I don’t precut exact shapes when I foundation piece, but I do measure the average width of the shapes – plus seam allowances – and cut strips of fabric accordingly. This minimizes waste, but still saves lots of time over precutting exact shapes.)
Secondly, it was also easy for me to fold the paper back before sewing each seam and see through to the fabric, making sure that the fabric would completely cover the appropriate shape after the seam was sewn.
I once again used 60 wt. Bottom Line thread in both the top and bobbin of my machine, but didn’t need to shorten my stitch length – which made it much easier to “sew in reverse” when I wasn’t paying close enough attention and sewed a piece out of order.
And best of all, the “paper” is actually a non-woven stabilizer than can be either torn away cleanly or (HURRAH!!!) left in the quilt.
The pattern was just for the spider itself. I improvised a quilt-as-you-go setting and added some decorative stitching to up the “ick” factor and make my spider “hairy”. I finished it off with a flanged binding.
And now to the topic at hand – foundation piecing (also called foundation paper piecing) is a great technique for achieving precise piecing and sharp points even with tiny pieces and fabric edges that are not on-grain. For this method, the pattern is printed (or traced) onto foundation paper. This paper acts as both a stabilizer and a stitching guide while the block is being constructed. When all of the pieced sections of the design have been joined together, the paper is carefully torn away from the underside of the quilt top.
I purchased the pattern right away, but then had to set it aside for a bit because I already had too many irons in the fire. But when the August Java Batiks box from Cotton Cuts arrived, I knew immediately just what I wanted to make! Continue Reading…
I haven’t been posting much this summer, but I’ve certainly been sewing up a storm! I’m finding it good therapy. 🙂
Due to the pandemic, we weren’t able to enjoy our usual fireworks display downtown this year, but I was inspired by the July Java batiks box from Cotton Cuts to create some fireworks of my own (metaphorically speaking, of course). 😉
Goodies from the July Java Batiks box from Cotton Cuts.
I started by cutting out shapes with my Tri-Recs rulers, and created little four-patches for the corner of each block. (This was a design-as-I-go project – I didn’t have a pattern.)
I used the Tri-Recs rulers to cut out the star block, AKA my fireworks burst.
I turned my blocks on point, and added more four-patches to the setting triangles.
Building my design – I decided to extend the expanding “fireworks” by added four-patches to the areas where the setting triangles would be.
Some exciting news – I’m teaching my first online class next week! 🙂
I’m a little nervous, but also very excited about engaging “live” with fellow quilters again – I’ve missed everyone so much while keeping safe at home during this pandemic.
Here is the info from the Lakeshore Sewing website:
Creative Machine Quilting with a Walking Foot Learn from the comfort of your own home! Join this beginner-friendly hands-on zoom class with author and designer Beth Ann Williams, featuring a mix of live instruction and Q&A, up-close photography, and video clips showing the techniques in action. Together we’ll make a set of swatches that you’ll be able to refer to for inspiration whenever you wonder “How can I quilt this?” Go beyond quilting in-the-ditch and discover fast, fun, and deceptively easy ways to complement piecing, enhance a focal area, and create a variety of textures, all while machine quilting with a walking foot.
“Color gets all the credit, but value does all the work.”
I don’t know who first came up with that quote; but I’ve seen many, many versions of it – because it’s so true!
Most quilt books have a section on how to choose colors for a quilt. Color theory can be very helpful, but what often gets lost in the discussion is the importance of value – how light or dark a given color (or piece of fabric) may be, and how differences in value and value placement can be used as a primary design element.
Today I’d like to briefly share some of my recent exploration in using value to define individual shapes within an overall pattern, establish focal areas, and create depth and lumiosity.
But first I’d like to back up for a second and talk about a different kind of value…
Cotton Cuts is one of those special companies that you not only feel good about supporting because of the quality of their products, but you can also feel good about supporting their mission.They offer a variety of monthly subscription options for top-quality quilting-weight fabric and Aurifil thread. They also have a 10-month mystery quilt; an online shop with additional thread, fabric, and patterns; and host the #CCColorChallenge on Instragram.
From the Cotton Cuts website: “Cotton Cuts is on a mission to create jobs. We have partnered with a local workshop that provides dignified employment opportunities to the intellectually challenged and to those with other disabilities. Every Cotton Cuts membership that you purchase contributes toward enriching the lives of these very talented individuals.”
“Build your stash while feeling good about it!”
As a newly minted Cotton Cuts Brand Ambassador, I received my first box of goodies back in March. What fun! Each box I’ve received so far has had different color theme.
When life seems particularly unpredictable and scary, I find it tremendously helpful when I can identify something productive to do – and doubly so when it will potentially benefit not only me and my family, but our community as well. Anyone watching the news lately will be aware of the shortage of face masks for health care providers on the frontlines of this pandemic, as well as for everyday people who are at risk of either spreading or contracting the Coronavirus/Covid-19.
Graphic from Instagram – I don’t know who created it originally, but we are encouraged to use it to promote home sewing of face masks. 🙂
While the face masks we sew at home may not meet the CDC guidelines for medical professionals, it is my understanding that depending on the design, cloth masks can be used in conjuntion with the N95 medical grade masks, acting as a removable cover that can extend the usable lifespan of the medical grade mask underneath. When the medical grade masks are not available, they can be used by themselves to offer at least some protection.
Cloth masks may also be in high demand from local hospitals, nursing homes, cancer-related organizations, or other health care facilities.
Please note that I am not a medical professional. But as I understand it, by themselves, fabric masks will not completely prevent the spread of the Coronavirus or Covid-19. However, they can help us keep our germs to ourselves; and hopefully, slow the spread of the disease. A mask can also help remind the wearer to avoid touching their face. 🙂
UPDATE from the CDC: “CDC recommends wearing cloth face coverings in public settings where other social distancing measures are difficult to maintain, such as grocery stores, pharmacies, and gas stations. Cloth face coverings may slow the spread of the virus and help people who may have the virus and do not know it from transmitting it to others…. While people who are sick or know that they have COVID-19 should isolate at home, COVID-19 can be spread by people who do not have symptoms and do not know that they are infected. That’s why it’s important for everyone to practice social distancing (staying at least 6 feet away from other people) and wear cloth face coverings in public settings. Cloth face coverings provide an extra layer to help prevent the respiratory droplets from traveling in the air and onto other people.”
And here some of the free patterns and tutorials I’ve collected from around the web that I feel are particularly helpful: Continue Reading…